Home >> Arts >> Art History >> Artists >> K >> Koons, Jeff




Jeff Koons (born January 21, 1955 in York, Pennsylvania) is an American contemporary artist and sculptor. As a teen he revered Salvador Dali, to the extent of camping him in the Plaza Hotel. He attended a School of a Art Institute of Chicago & the Maryl& Institute College of Art, and exposed painting, on the other hand worked as a Wall Street commodities broker, when establishing himself as an creative person prior to recognition in the 1980s. He install the factory-rather studio withinside the SoHo loft on the corner of Houston & Broadway within Just released York, by having terminated Xxx staff, for each one assigned to the different aspect of producing his operate, in the similar mode to Andy Warhol's Factory (&, for that matter, Renaissance artists).

Koons' act is classified when Neo-Pop or even Post-Pop, when section of an Fourscore's movement around reaction to the pared-down art of Minimalism and Conceptualism in the previous decade. Although The utilize of commercial imagination occurs as starting point, there exists as well a incorporation of a select few of the Conceptual approach which implies an irony - denied by Koons: "A viewer might at first see irony in my work... but I see none at all. Irony causes too much critical contemplation," (which successively may swell exist as perceived as an ironic double bluff).

He driven arguing per elevation of unashamed kitsch into a high art arena, exploiting extra throwaway cases than possibly, e.g., Warhol's soup cans. His operate Balloon Run (1994-2000) is according to balloons twisted into shape to produce the toy. Koons' sculpture differs within Ii major respects to a original: Unity) these are manufactured of metal (painted brilliantly red to give the appearance of balloons), 2) these are additional than x feet (deuce-ace metres) tall. Supporters claim for such transformation "an awesome presence... a massive durable monument" (Amy Dempsey, ed. Styles, Schools & Movements, 2002, Thames & Hudson), and for other work that they are "wowed by the technical virtuosity and eye-popping visual blast" (Jerry Saltz, art critic for the Village Voice).

Others stand been less enthusiastic. Mark Stevens of The New Republic dismissed him as a "decadent artist [because he] lacks the imaginative will to do more than trivialize and italicise his themes and the tradition in which he works... He is another of those who serve the tacky rich." Michael Kimmelman of The New York Times saw "one last, pathetic gasp of the sort of self-promoting hype and sensationalism that characterized the worst [of the 1980s" and threw in for good measure "artificial," "cheap," and "unabashedly cynical".

Koons' early function was in a form of conceptual sculpture, one of the right-known existence 2 Ball 50/50 Tank, 1985, consisting of ii basket balls swimming around the river, which half-fills a glass tank. A influence in Damien Hirst's later act A Physical Impossibility of Demise upstairs of Mortal Residing - the shark suspended around methanal inside the glass tank - is unmistakable, when is Koons' concrete cast of 'veto space' below a chair upon the operate of British sculptor Rachel Whiteread (who displayed the room good of colored rosin casts of 'blackball space' below the chair).

Koons moved in to "Statuary", the big stainless-steel blowups of toys, and so a series "Banality", which culminated inside 1988 by having Michael Jackson & Bubbles, the world's big ceramic, the life-lifesize gold-leaf plated statue of the seated singer kissing Bubbles, his favourite pan troglodytes. (3 years late it sold at Sotheby's Just released York when Lot 7655 for $5,600,000, trebling Koons' former low record.)

1n 1991 he married Hungarian-born naturalized-Italian erotica star La Cicciolina, aka Ilona Staller, who for 5 years (1987-92) pursued an surrogate career as a member of the Italian parliament. His "Made in Heaven" series of paintings, pic & sculptures portrayed a few within expressed intimate positions & created possibly additional contention than he got prior to. Inside 1992 it experienced a boy Ludwig; the marriage ended before long when. It agreed joint custody however Staller absconded from either Up to date York to Rome by owning a kid, around which mother & boy remain, despite a award in 1998 of resole custody to Koons per America courts, which got dissolved a marriage. In the aftermath he stated: "That experience really gave me a sense of responsibility to the public. I was losing my sense of humanity. Now, every day, I feel more and more responsible in the act of communicating and sharing and really trying to be as generous as possible as an artist."

inside the period of this period, he was licenced in 1992, to create the piece for an art exhibition inside Bad Arolsen, Germany. A symptom was Puppy, the forty-3 feet (baker's dozen meter) tall topiary sculpture of a West Highland White Terrier puppy executed in the kind of flowers in the steel substructure. Within 1995 the sculpture was dismantled and re-erected within Sydney Harbor on the newly, extra lasting, stainless steel armature with an internal irrigation formulas. Within 1997 the piece was purchased by the Solomon R. Guggenheim Foundation and installed on the terrace outside the Guggenheim Museum Bilbao. Prior to a dedication at a museum, a trio masked when gardeners attempted to plant explosive-filled pot touching the sculpture [http://www.artnet.com/magazine_pre2000/news/robinson/robinson10-14-97.asp], however were foiled by Bilbao law. Since its installation, Puppy has be the noted icon for the city of Bilbao. In the summertime of 2000 it travelled to New York City for a irregular exhibition at Rockefeller Center.

Around 1999 he accredited the song just about himself, in Momus' album Stars Forever.

Around 2001 he concentrated within painting in the series "Easyfun--Ethereal", a collage approach incorporating bikinis (by using the bodies wearing the two flushed), food & landscape - painted under his perfectionist superintendence by supporter.

Within 2005 he was elected as a Fellow to the U.s. Academy of Arts & Sciences.

Whether Koons is seen eventually as a critical commentator in the tradition of the Dadaists and a echt leader in the controversial tradition of the avant-garde, or only as a fashionable purveyor of meaninglessness & cliche, remains to become seen. Nonetheless, this judgement just can't become manufactured within isolation from either a evaluation of the wider contemporary art scene. He has experienced an undoubted influence in noted immature artists - his extreme enlargement of mundane objects has been copied by Damien Hirst (e.g. within Hirst's Anthem, an 18-foot version of the 14-inch anatomical toy) & Mona Hatoum amongst others. Potentially the casual learn of history shows that contemporary institutional acceptance (his function has been exhibited within London's Royal Academy) is no reliable option to the judgement of posterity. What may be said is that at a moment Koons attracts extremes of enthusiasm & vitriol, & that his act is amongst a virtually all expensive in the globe.

Plastic.com: Jeff Koons
Profile and photograph of the artist.

Jeff Koons and the Paradox of a Superstar's Phenomenon
D.S. Baker's critical essay on the artist.

Journal of Contemporary Art: Jeff Koons
Klaus Ottmann's interview with the artist.

Eyestorm: Jeff Koons - Getting It
Douglas Coupland's essay on Koons and his work. Includes pictures.

The Broad Art Foundation: Jeff Koons
Brief profile, and a collection of his work.






© 2005 GeneralAnswers.org